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Florida or Double-crested Cormorant in breeding plumage
(Phalacrocorax auritus)
Estero Bay, FL
March 30, 2008
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"A bird doesn't sing because it
has an answer, it sings because it has a song."
-Lou
Holtz
At last! Up and out on the water (kinda)
early today. The forecasted 30% chance of rain for us
was actually a grand day with clear skies and delicious
water. I loaded the kayak on top of the car and headed
out to a tiny put-in I know of along Estero Bay. The
tide was still on the low side of incoming - still too
low for a drop into the boat from the dock. Since I sold
my skiff, I've yet to design a new way of getting into
the kayak at low tide.
Off I paddled! The bird count this year
has been less than exciting according to all my bird
friends, and a float past my usual rookery haunts confirmed
this fact. Still, I found lots of smaller birds congregated
on oyster bars. American oystercatchers (of course!),
terns, seagulls, pelicans - and down toward Lover's Key,
these cormorants were sunning in full breeding plumage.
What cool ears this guy has! Auritus
is actually a reference to the bird's ear-like crests.
And corax is the latin species name for Raven. Phalacro
comes from the greek for bald-headed or smooth. To be
bald is to be phalacrotic.
And as long as we're dissecting names,
the word "cormorant" is
derived, through French, from the Latin corvus marinus,
or "sea
crow." A
group of cormorants has many collective nouns, including "a
flight of cormorants", "gulp of cormorants", " rookery
of cormorants", "sunning of cormorants",
and a "swim of cormorants."
Cormorant fishing on the Nagara River in Japan is a
1,300-year-old tradition where fishing masters (ushō)
use Japanese Cormorants to catch fish, primarily ayu
(sweetfish). Fishing masters begin each day by selecting
ten to twelve healthy cormorants for the evening’s
activities. When the cormorants catch the fish, they
are brought back to the boat using ropes attached to
their bodies. When they are back in the boat, the fishing
masters remove the fish from the birds’ throats.
Each bird can hold up to six fish in its throat. The
birds are prevented from swallowing the fish because
of a ring tied around their necks. The cormorants, however,
are still able to swallow smaller fish. Though the ropes
are strong, the fishing masters are able to quickly break
them if a bird’s rope gets caught beneath rocks,
ensuring the bird will not drown.
In North America, fishermen view cormorants much differently
- as a competitor. In the United States and Canada, they
are believed to be the primary reason for fish decline
and roosting tree death (accumulated fecal matter below
nests can kill the nest trees), and they are hunted during
breeding season in their nests.
Cormorants are avid recyclers. They will sometimes revamp
an old nest rather than start a new one from scratch.
And when they find pieces of useful junk, like old bits
of rope, net, or plastic, they will often incorporate
them into their nests.
Nikon D100, Nikkor 80-400mm VR @ 400mm,
1/320 sec, f/8, ISO 100
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"Night with Nature" Concert to Benefit CREW
Estero Community Park, FL
March 29, 2008
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"I think music in itself is healing.
It's an explosive expression of humanity. It's something
we are all touched by. No matter what culture we're from,
everyone loves music."
-Billy
Joel
It's been a glorious weather week dotted
with blue skies, dry air, soft sea breezes and magnificantly
clear, turquoise water. I have watched it all - watched
kayaks floating beautifully with people other than my
self in them - from high rises and homes on the beach
while I worked. Torture, to some degree. My day will
come, though. Soon.
Tonight, we headed to Estero Community
Park for a great concert to raise money and awareness
for CREW (Corkscrew Regional Ecosystem Watershed) - a
wonderful jewel of green, wild land just east of here.
I've spent a number of great days there in the last decade
or so, hiking trails, finding wildflowers, birds and
great light.
It was a perfect night. I brought along
my D100 - the best tag-along camera made. The sun set
just as flutist Kat
Epple began playing and the stage lit up.
Her music, accompanied by a group on piano, harp and
drums, was amazing - but so were the bluegrass family
from Buckingham. The youngest player of the night, a
little kid on a huge bass joining his dad and uncles
and brother while they picked and sang, belted out his
own "local" version
of "This
Land Is Your Land" to end
the night on a perfect note.
Great light, great night, great weather,
great music. Tiny stars up above after the blue light
was gone. Whippoorwills in the dark doing harmony with
the bands.
Some nights are so rich you can barely
lug the loot home.
Nikon D100, Nikkor 24-120mm VR, 0.6
sec, f/7.1, ISO 400
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The Phi of Smoke
March 23, 2008
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"Physics is like sex: sure, it
may give some practical results, but that’s not
why we do it."
-Richard
P. Feynman
It's a lazy Easter Sunday afternoon;
I've put aside the ever-growning to-do list and picked
up the camera to simply play. Last summer, when I participated
in a 12-week The Artist's Way cluster, we learned that
it was important to "refill the well". Translated,
that means it's important to recharge one's creative
batteries. And you gotta play to recharge.
I got the idea to try something completely
new when I was reading a photography blog entitled, "What's
It Take To Be Great?" A real hook of a title, and most
certainly, a question I've pondered in my own pea brain
often.
This particular
post talked about study in the science of experience
that concludes that we humans have a tendency to be lazy.
We often practice hardest that which we already know
and are most comfortable with, rather
than strike out into new territory, harder stuff
or the unknown. Greatness - rich experience - commands
experimentation. Practice the hard stuff. Move outside
your comfort zone. Take a chance. Be brave.
And so, with that challenge hanging
in the air, mixing with the sweet, pungent aroma of good
coffee, I hatched an plot - a promise to myself - to
do something, ANYTHING, new with my flash unit today.
It's my least used piece of equipment. I'd seen a blog
about smoke photography earlier. It intrigued me, not
only because it's something I haven't done before and
it required a flash unit, but because I guess I have
a peculiar attraction to those Rorschach ink blot test
shapes and the abstract.
The setup wasn't difficult, although
finding stick incense on Easter Sunday did present a
momentary challenge (amazingly, Walgreen's had some rather
stinky ones - strong florals). I chopped off a hunk of
the black paper I use to finish the back of each framed
piece I make, taped it to the kitchen cabinets, then
stuck the incense in a piece of sticky silly putty (yes,
I own sticky silly putty. It's almost as essential as
duct tape these days!) It took a little bit of tweaking
to dial in a good flash output, exposure and white
balance, and a lot of experimentation in the science
of pushing the smoke here and there with puffs of breath,
but soon enough, I filled two cards.
Seeing them on the screen was amazing.
I was immediately captivated by the reverse of what I'd
always believed: our eyes see so much more than cameras
can capture. Here, the camera captured what I could never
see with my eyes. The screen came alive with barely
opaque tendrils and fluttering waves of gossamer,
puffs of smoke resembling the heads of violins, and swirls
and tight curls resembling my nautilus shell and the
Golden Mean.
The physics of smoke - it was amazing!
Plato called Phi - the golden mean -
"The key for the physics of the cosmos". The
nautilus shell is just one of the known shapes that represent
the golden mean number - or 1.6180339. The Phi
is a number without a mathematical solution; the digits
simply continue for eternity without repeating themselves.
The uniqueness of the golden mean is
that it can be found in all living forms such as the
human skeleton, the shell and the seed pattern of sunflowers,
and is widely used in art, architecture and religious
symbols. Artists like DaVinci and Kandinsky have used
the golden mean in their paintings. The Guggenheim museum,
planned by Frank Lloyd Wright, is shaped like the nautilus
shell. Researchers found that humans will recognize great
beauty in art, architecture and even a face that has
the golden mean proportions.
I saw Phi go up in smoke today, and
I'm here to confirm, it was a very beautiful thing.
Nikon D2x, Nikkor 60mm micro,
1/50, f/16, ISO 100, SB-800 @ full power, 2550K white
balance
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Osprey Family
New Pass, Florida
April 4, 2006
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"The predicament is truly a testament
to nature’s strength."
-Bonita
Daily News article, "Osprey family clings to wind-damaged
nest in Bonita"
This morning's local newspaper carried
a
story about an osprey nest that has been established
and occupied longer than most human homes in my area.
I don't know how many times I've clicked the shutter
to capture this very nest at the New Pass bridge,
one of my favorite places to photograph. Surely, it
just might be an uncountable number; I cut my early Florida
bird photograph chops on various generations of ospreys
in this very nest. The photograph above is a generation
of osprey in that nest nearly two years old.
A storm blew through our area over the
weekend and the metal supports designed especially for
this nest that hangs from the Florida Power and Light
pole by the bridge crumbled in the high winds. This alone
seems peculiar to me, since this very nest platform survived
both Hurricanes Charley and Wilma, not to mention other
less direct-hit storms during that two-year period of
active hurricanes. But fail it did, and today, it hangs
"precariously" -- with the nest still
intact and two chicks in the nest.
What fascinates me about this story
is both the strength of the nest itself (engineers: take
a lesson from osprey construction!) and the strength
of human concern for a family of birds in danger. One
might suppose that someone could quickly come in and
right the damaged supports and save the nest, but instead,
this tiny platform is caught in a nest of bureaucratic
twigs: one agency can't touch it until another approves
it, and the approving agency can't approve it until...well,
you get my drift.
The nest clings to flimsy supports,
tilted at a precarious angle, while osprey chicks cling
to the nest. Human volunteers watch the nest each day,
ready to take action if it should fall. Agencies shuffle
papers and time marches on. Adult osprey parents spend
the day feeding the family and shoring up the nest. One
day, very soon, these tenacious chicks will learn to
fly. And not too far off in time, all this will be forgotten
except for the lesson it truly is.
"The predicament is truly a testament
to nature's strength."
UPDATE: Just
hours after I wrote this blog entry, Florida Power &
Light (FPL) crews installed beams to brace this osprey
nest. This fix didn't really bring the nest back into
level, but it assured that it wouldn't fall. This update
is notable for a couple of reasons. First, a utility
giant was able to navigate rivers of paperwork and get
the job done just twenty-four hours after the story broke
in the media. Second, the Bonita Daily News photographer
who captured the repair work took
some amazing photographs of
the delicate operation, despite the crummy light from
overcast skies (be
sure to click the photo at
this link to start the slide
show). And last, not only did the chicks tolerate
the repair while in the nest the whole time, but the
parents flew into the nest several times during the repair
to add more branches...doing their part, I guess.
I guess the predicament was not only
a true testament to nature's strength, but the fix was
a rare testament to the cooperation between humans and
the animal world. In a place that consumes natural habitat
faster than you can blink your eye, that's saying something.
Nikon D2x, Nikkor 80-400mm at 400mm,
1/50, f/8, ISO 100
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The Grandview by Kingon Homes
Hedgestone in TwinEagles
Naples, Florida
March 08, 2008
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"Friendship is the hardest thing
in the world to explain. It's not something you learn
in school. But if you haven't learned the meaning of
friendship, you really haven't learned anything."
-Muhammad
Ali
It isn't often I have an assistant on
the job, but when a friend offered to come along and
help me with a new photo assignment this past weekend,
I didn't really have to think very hard before I accepted.
I needed help since my line of vision
has grown an aquarium screensaver overlay. Floaters and
flashes as big as beluga whales and lightning bolts joined
the bubbling stew of failing eyesight this week, prompting
an emergency visit to the eye surgeon to check for retinal
detachment. I can see; I just have lions and tigers and
whales floating around in a visual lightning storm.
So...my next surgery has been accelerated
to the day after my next art show. In the meantime, a
friend who tags along and double checks what I see for
me, as well as making sure I've extinguished all the
candles, turned off all the lights and put everything
back where it belonged - AND that I didn't burn the house
down or knock over anything extremely expensive...well,
that's a pure gold friend.
And so I got the job done. And it was
fun! I'm so used to dashing around these jobs by myself
that I tend to work better as a loner sometimes. This
night, though, it was lots of fun and an easy collaboration.
As I chased lovely blue twilight inside, outside
and through each room,
I was thinking about how blessed I am in my life. True
blue friends are blessings, indeed - treasures beyond
measure.
Even I can see that.
Nikon D2x, Nikkor 12-24mm at 12mm,
1/3, f/8, ISO 200
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Black Island Bridge
Lovers Key, Florida
March 02, 2008
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“Our life is an apprenticeship
to the truth that around every circle another can be
drawn; that there is no end in nature, but every end
is a beginning, and under every deep a lower deep opens."
~Ralph Waldo Emerson
It was a gorgeous day today; the kind
of day Florida brags about in advertising and such. I
began it with a gaggle of geezers outside Ace Hardware.
It seemed we all had our own Sunday missions in mind
and didn't know that the doors opened at 9 instead of
8. So there we all stood, shuffling feet and watching
the clock.
Myself, I was
there to gather supplies to build a bin to display
my 16x20 matted, sleeved prints at shows. The wait wasn't
bad. There I was, tentative blueprint and supply list
in hand - and all those older gents just dying to give
me their two cents...or two dollars...worth of advice!
We chewed on my plans in early morning sun and 57 degree
chill. And then the doors opened and I was off down aisles
of PVC pipe fittings and L-brackets (to fix some of my
six-foot easels that have seen alot of wear and tear
from all the shows I've been doing this year).
The first prototype was ready to fill
with prints in a mere three hours. Not bad. Three more
with all the pieces cut are just waiting for Ace to get
more T-slip joints in stock. My design uses 14 in all,
and it didn't take long to buy them out. It's a good
design. It looks a tad bit industrial for my tastes,
though, so the next design addition will be a muslin
"skirt" to hide the "schedule 40" tattoos
all over it.
A friend came by to see the fruit of
my labors in the late afternoon. We christened it a big
success and decided to load up bikes and cameras
and hit the back trails on Black Island in Lovers Key
State Park. It was a great ride! Good light, perfect
weather, wonderful company. I haven't been out much -
or in the kayak - since my cataract surgery went south
and gave me a case of blurred, double vision in my right
eye - a photographer's catastrope. This past week's architectural
photo shoot was my first, and it was very difficult.
My next surgery (one of two) to repair the first surgery
can't come soon enough.
At the end of the ride, we followed
a new road down to Big Carlos Pass and discovered this
new little bridge that spans a slip of water I once
had to portage my kayak over at low tide years ago. It
seemed strange to see the new bridge, but it had pretty
enough light on it to make it into a frame or two.
Even change can be pretty, depending
on how you see it.
Nikon D100, Nikkor 24-120mm at 24mm,
1/320th, f/13, ISO 200
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